Monday 28 December 2009

Movie Review- 3 Idiots

Powered by: Chakpak.com Three Idiots 

Raju Hirani and Vidhu Vinod Chopra with the combined legacy of Munnabhai , 1942 A love Story, Mission Kashmir and Parineeta have a rich heritage of powerful cinema behind them and this time around they have been more than equal to the responsibility of living up to the high standards they have set for themselves. Add Aamir Khan and it becomes an irresistible trio and it was not disappointing. If anything the bar has been raised yet another notch.
First and foremost I do not have my oft repeated complain of a weak or a zero storyline. Chetan Bhagat’s Five Point Someone has been loosely adapted into a powerful narrative of human emotions and at the same time is a telling commentary on the present system of education where emphasis is laid on learning by rote rather than encouraging innovation and lateral thinking. It recognises that the orthodox and conventional stream of thought wherein the middle class redemption lies in attainment of an engineering or medical degree which forces the unwilling victims to compromise on their dreams often with disastrous consequences.
The story starts with a search for Rancho, a friend of friends, by Sharman Joshi and Madhvan accompanied by yet another class mate Silencer, so named for his propensity of letting go silent bursts of gas expulsions through his rear end. Their not so aromatic journey brings back the memories of their college days. Ahh, isn’t it the best time for just about anyone? And if you have been a hosteller, well, you would relive all the good times you had or wished that you had. The main protagonist is Rancho, never mind the full name but a thinker, a dreamer, a rebel, a scholar and a yaaron ka yaar. He constantly slips in and out of classes seeking knowledge and substituting simple and straight answers where profoundness is expected by stuck up teachers. Boman Irani comes up with another class act as the Director of the engineering college but looks suspiciously like Einstein which I guess was by design rather than accident. Nonetheless he delivers a flawless performance as a uncompromising teacher. The movie traces the lives of the three friends through college. Questions are raised about the path they have chosen, their aspirations of what they really want from their lives versus their loyalties to parents and friends. Heavy stuff, I know, but portrayed beautifully and with loads of rib tickling humour. A special mention must be made of the welcome speech made by Silencer which is surreptitiously changed by Aamir to get back at him for his pompous ways. It had my considerable self falling out of the seat. There are way too many such episodes in the movie to merit a mention here but each is executed with near perfection.
Kareena proves yet again that given a good role she can sparkle. Praeekshat Sahni has not forgotten to be loud, so you may dismiss him. The music is great and happily Vidhu Chopra has not flicked a western song and got ‘inspired’ by it. Perhaps the talented duo of Sawanand Kirkire and Shantanu Moitra has something to do with it. The movie is heart warming and a laugh riot but not perfect. There are quite a few impossible situations but you quickly get over them in the larger interest of wholesome entertainment. All in all...Alllll Eezz Welll. Go watch and freak out.

Wednesday 23 December 2009

Movie Review-Avatar

Powered by: Chakpak.com Avatar 

After the gross depiction of aliens in countless and forgettable Hollywood movies they were first made to look believable by the quintessential story teller Steven Spielberg in ‘E.T’. Unlike the blood thirsty inter galactic traveller of the yore E.T was almost human, loving, happy and sad in equal measure. It still gives me goose bumps when I remember his lingering cry to go home. James Cameron has made a huge attempt to take this concept to a whole new level.
Without any knowledge of the story I was pretty intrigued by the title of the movie which is an integral part of the Hindu belief. The story per se is not really novel. The conflict between industrialisation (growth) and the inhabitants it usually displaces (is resettles politically correct?) is what one reads about in newspapers in different parts of the world everyday and which gives the likes of Brinda Karat and Arundhati Roy something to wail about in their free time. However it’s the execution of the vision that sets apart Cameron from rest of the pack. The scale of the movie to understate the obvious is colossal. Set in the year 2154(who chose the number and why could be another story) we are taken to a moon called Pandora (very appropriate name for the number of tricks in its bag). The humans are led by an abrasive corporate honcho in charge of mining operations for something called ‘unobtanium’ which sells on mother earth for $20 million a kilo. Even after adjusting for 145 years of inflation that’s far more than humans would happily kill for. The honcho has a security chief who looks suspiciously like GI Joe to carry out the dirty tricks. And Sigourney Weaver, who turned a brunette for the movie, returns as a scientist engaged in a project to understand and connect with the local inhabitants. The locals are called the Na’vi , blue skinned and all of nine feet tall. Sigourney’s project involves usage of human and Na’vi DNA to reengineer a hybrid Na’vi which can be mentally controlled by the human whose DNA has been used. A new avatar, so to speak. Sam Worthington plays the main lead of a paraplegic former marine who is reluctantly allowed in the Avatar programme by Sigourney. Once admitted he finds a new world where he can walk, run and love.
Despite the fact that the story is set way into the future in a place four and half light years away the perennial human emotive conflicts, the greed for more, the compulsive desire to subjugate the weak, the irrepressible retaliatory spirit of the brave forces one to think that the more we change the more we remain the same. A pressing need of the awareness of preservation of environment which cannot come too soon finds a voice in the hopeless cries of the original and genuine and well, the primitive inhabitants. The love interest is unorthodox and endearing but does not catch the intense rapport of Jack and Rose in Titanic. It’s even unfair to compare the two but then Mr Cameron has spent half a billion dollars in making a flick replete with advanced digital imagery and the effect is spectacular. Shall I take my hat off to him ? Okkk, yes, but, he scores and he misses.
A movie which costs as much as advertised ought not to have even a hint of what’s seen or heard in the public domain. “I see you” is a greeting by the Matable tribe in Africa and the bush men of the Kalahari. The emotional connect between the warrior Na’vi and the colourful raptors they fly are strongly reminiscent of similar relationship of dragon riders of ‘Eragon ‘. It looks great in the movie but faintly disappointing. He has spun a believable yarn and was almost there but not quite. Maybe the proposed sequel is better.

Friday 18 December 2009

Movie Review-Rocket Singh-Salesman of The Year

Powered by: Chakpak.com Rocket Singh 

It’s only after the classic Jeewan Mrityu that I have seen a Bollywood movie showing a Sikh adorned with an appropriately tied turban. ”Singh is King” did show a heartening glimpse of Akshay Kumar in a traditional turban but then those shots were of the Punjab heartland and then they ruined it all by making him wear a cap like head gear for the rest of the movie. The makers of Rocket Singh seem to have researched a bit and a big hug to them for that. Another collective vote of thanks from the Punjabi consciousness is in order for not making the movie’s two Sikh characters of the Balle Balle and the Pairee Pauna variety. Aaarrrrgh, it gets my goat every time. A sober, quietly submissive, urbane but a resolute Sikh in a Bollywood feature? This was a first from Mumbai and I hope we get many more of them. The poor fellas are grossly misunderstood the world over but none more than by their own countrymen. Okay, politics over and now let’s get back to business.
Rocket Singh- Salesman of the Year is actually Harpreet Singh Bedi, a young lad full of beans and keen to make a place for himself under the sun. His shoulders are unburdened by the bare pass marks through his school and college days. Percentages between the 30s and the 40s are cheerfully rattled off to bewildered listeners while maintaining a supremely confident demeanour. That’s a typical surdy boy for you. So what does a young, over confident, under scoring and barely qualifying lad hope to become? You guessed it! He also gets the job but there is a slight problem. Our man has a conscience, a commodity steadily disappearing from our lives. His unwillingness to succumb to the scheming wheeling and dealing ways of the conventional salesmen sees him warming his chair in his office while his targets are distributed to his grumbling colleagues. They respond by jibing and throwing paper planes (rockets) at him. This and the frustration of forced inactivity propel him to independently make his own foray into the cut throat world of sales. Most of such stories have happy endings and this one is no exception.
The story is refreshing and the narrative engrossing. It’s almost childlike in its effort to reinforce the values taught in the moral science classes in school and why not? Today’s single minded pursuit of money and power (or was it always like that?) does make us gloss over some innate qualities of a good human being. Epithets like honesty, respect, transparency are usually met with tolerant and cynical smiles. Rocket Singh brings home the importance of these timeless values.
His partners in crime are just as refreshing. Giri, the porn loving service engineer epitomises the smarty pants technical expert whose real skill lies in shafting the customers. Ah, it was so familiar. In my working environment this species is striking gold even when the sun stands eclipsed. Mishra ji, the office peon contemptuously referred to as “Cup Plate” who assists as the service engineer in assembling computers. Koena, the sexy receptionist who gets passed over for a promotion and retaliates by joining the competition. And Rathore, the arch type go getter sales dude who decides to reinvent himself as the honest salesman. Shazahn, daughter of Alyque Padamsee and Sharon Prabhakhar makes her debut as the hero’s love interest besides being his first customer. But she does little beyond looking cute and kisses the bearded beau with touching regularity.
The soundtrack consists of fifteen songs most of which are very listenable but surprisingly the movie is populated by excerpts of only three which is hind sight may not be such a bad idea after all. Hindi movies need to go beyond the song and dance routine. Focus on the back ground score and use the songs for the promos.
My take? The movie is a great one time watch and Ranbir Kapoor strikes again. Way to go Surdy Boy!

Tuesday 6 October 2009

Movie Review- Wake Up Sid

Powered by: Chakpak.com Wake Up Sid 

My dream finally seems to be coming true. For avid movie watchers it must have been many time times wanting to puke when the so called pillars of Bollywood spewed forth the argument that the public gets what it wants to watch. Let me happily announce that the era of mindless masala movie seems to be over. The young are taking over. Ayan Mukerji is different! He even spells his surname differently. And for a 20 something he has created a work of art he might find difficult to live up to. Way to go man and keep going.
Have we not all of us gone through the pangs of taking that one step from adolescence to manhood? The delicate age which forces us to think where life beckons? It’s always confusing for most because we usually never train for what we want to become. We bid for a few things and then we make a choice which seems the best and land up unhappily ever after. The unending conversation of what could have been takes up most of our thoughts and after drink procrastination. The lucky ones find a way and others justify their existence by making excuses.
The journey of Sid goes from ecstasy to disappointment to despair to hope and redemption. A rich man’s son with a seemingly unlimited credit card limit dances his way through bars and clubs and discotheques only to find that his friends have overtaken him in something as mundane as the graduate exams. Dad’s insistence on his working for the family business only aggravates his unsettled mind. The confidence of available money and SUVs doesn’t help him. The obvious reaction of a spoilt kid is not that of humility but angst against everything that’s dear to him. Ego, the destruction of every relationship propels him to leave house.
An unemployed undergraduate, he takes refuge in the house of a recent friend. Konkona Sen lets him in to her house and her life. The lady is a wannabe writer and overcautious in her relationships. Sid tries to continue with his irresponsible ways but soon discovers that two meals a day don’t come in from Dad’s credit card apart from realising that staying with someone also means sharing the chores. From the days of ordering unending pizzas to trying to make a half fried egg, Sid boy gets on to a learning process. A lazy easy going existence changes when his live in friend suggests that his passion for photography might earn him his daily bread.
I have always maintained that the luckiest people are those who can turn their hobbies into professions. Sid’s penchant for photography lets him discover himself. He does and in turn finds the juggled pieces of his life fall into place. Herein lies a lesson for all confused, wayward, undirected, drunk and undecided souls. Ask not what life has in store for you and do exactly what you really really want to do. You may not become rich but you would be really really happy.

Sunday 13 September 2009

The Andaman Chronicle

It was holiday time again. Only this time instead of the usual tryst with the hills or the western coast we changed direction and headed towards the Andaman Islands. God bless my employer for periodically footing the bill of my sojourns and this time we went in the comfort of the Kingfisher Airlines. I don’t want to sound like their advertisement but I found their whole set up operating like a well oiled machine. The only thing I didn’t like was the accented drawl of the pilots while making their mandatory address to the travelers. Without exception all of them have the Jalandhar-Yankee accent and make it quite plain that they hate doing this but have to because you are their esteemed guests and all that crap. However my compliments to Dr Mallaya for “personally choosing” all the pretty faces in the country to smile and serve in the aircrafts.
Preparation for the holidays is always fun and this time too it was no different and hence Chammak Challo and our brood set about collecting their various garbs from different corners of the city. Of course their favoured location is always the ever dependable Rehri market which keeps throwing up special nuggets every now and then. So sundry denominations of currency in our purses found a way to convert itself into various shades of shorts, capris, slippers and shirts. Personally for me holidays are the only time when I am dressed in anything other than my Kurta-Pyjama for the better part of the day. Therefore I too had to arrange for all my combinations of T shirts and shorts. That accomplished we launched into the first leg of our trip, the flight from Chandigarh to Delhi. The airport at Chandigarh is undergoing a major facelift because of which one is forced to take a long walk to the entrance gate. I do hope that after the renovation it will look better than a local bus stop. We got our boarding passes from the smiling lady behind the Kingfisher counters and got caught in the security check. I had forgotten to take out the scissors from my toilet bag which was inside my hand baggage. The security guy looked at me as if I was just about to blow myself up. I took out the offending piece of metal, put it in the dust bin and proceeded to board. More smiles from the pretty faces welcomed us to the aircraft. It was time for the takeoff and promptly Chammak Challo took a deep breath and a firm grip of the arm rests determined to prevent the aircraft from flying. Despite her efforts the aircraft took off for the twenty minute flight to Delhi. Some more smileys came and served a really good sandwich, dahi vada and a soufflé. After landing the plane took the same amount of time to taxi in to its allotted slot as it took to fly from Chandigarh. I had come to Delhi airport after almost six years and was amazed to see the complete makeover. It’s truly a world class airport now.
After waiting for a couple of hours we took off for the three hour flight to Chennai. Everything was pretty cool except the inadequate, though tasty, serving of Chicken biryani. Even pretty smiles can’t make up for that. So it had to be followed up with an exorbitantly priced salmon sandwich at Chennai airport. I am going to send the bill to this Mallaya fellow. I was last in Chennai in the year 1984 for a month long training at a place called Kilpauk. The friendships I made then last till today. In fact the association that began twenty four years ago has now blossomed into a big group on Google where I have found more wonderful people who have been the uncomplaining victims of my cyber idiosyncrasies. All the images of that time came flashing back as we waited in the lounge. Our flight to Port Blair was at five in the morning so we all settled in our chairs to catch up on some sleep. But it was not to be. One little baby behind us started wailing incessantly. It’s amazing the kind of stamina little kids have for wailing. A long scream was followed up with a brief interval for catching up on the lost breath before launching into another blood curdling wail. This sequence continued for some time and then Chammak Challo decided to take matters in her hands. She came back after a short while and wailing had still not stopped. It turned out that the poor baby was suffering from a facial rash and the newly returned from USA parents decided against giving him an Avil because it was Indian!! I felt like boxing their heads. But we did manage our forty winks, wailing and all.
The flight took off on time and since it was Chennai what else could you expect for breakfast except Idli and sambhar and of course some more charming smiles. The quality of both was good nevertheless. For this sector we flew by Deccan which has recently been taken over by Kingfisher. They call it Kingfisher Red. Just short of our destination we ran into massive air turbulence. The plane started shaking and its handling reminded me of the driving scenes of the sixty’s movies. Remember the exaggerated right-left movements of the steering wheel of a stationary car with a movie of a road running in the background. The plane made a few thumping sounds and some faces turned white and I heard a mumbling of Hanuman Chalisa right next to me. The collective prayers were soon favoured by the Gods and we landed safely into the Andamans.
I had not made any background check on the islands so I didn’t know what to expect and to my pleasant surprise it turned out to be a lot like Kerala. Lush green vegetation and coconut trees adorn the landscape all across the islands and the sea had rich blue green color. We were picked up at the airport by our local liaison, a pleasant guy called Sham.
The arrangement for our stay had been made at the South Point Circuit House, a nice place located on a hillock close to the sea and overlooking the Ross Island. A quick shower and a change later we were ready to gallivant. Sham arranged for a full time cab for us. It was a well maintained Omni owned & driven by a sweet guy called Chandru who was employed as a driver in the local Municipal Council but also moonlighting as a cab driver during his office hours. Smart guy and of course between him and Sham they knew the entire Union Territory and so, everything as they say was ‘arranged’ for us. God bless my friends in the bureaucracy who open doors where there are none.

The first day was spent in local sightseeing. Port Blair is situated in the South Andaman islands on a cluster of small hillocks overlooking the sea. Modern transport and communications systems now make it difficult for us to fathom the immense distance it is from the mainland India. A little more thought into it only throws a little more comprehension of the tremendous sense of isolation and loneliness that the inhabitants of this place must have felt in the days gone by. This feeling got reinforced as we walked through the corridors of the Cellular jail.

A chill ran through my bones as I looked at the honour roll, the pictures of dozens of its former inmates who were single minded in their selflessness and chose the unspeakable hardships of this place rather than tolerate the masters of their enslaved country from the comfort of their homes. Picture after picture of these ordinary men from all castes and religions who became heroes and legends in their lifetime now adorn the walls of the first few rooms of the jail. A majority of them once incarcerated never left. Some were hanged and others stripped, beaten and usually succumbed to the persistent torture. A lot of us have been brought up on the romantic tales of the Raj, their sense of fair play, cricket and all that stuff but it is here that the ugliest face of the English rule rears its head. It’s also a freak coincidence that the original jail was built in five diverging columns much like the heads of the mythical monster Hydra. The compound of the jail is now more like a modern garden and is a constant witness to tourists, digital cameras in hand, laughing away and getting themselves photographed inside the cells. We too did as the Romans do but it seemed kind of inappropriate. Considering the history of the place I felt that we were not paying adequate homage to our martyrs and trivializing their memory but then that’s me. Everybody else was having loads of fun.
Apart from the Cellular jail there isn’t much to see in Port Blair apart from the tourist must dos like the various museums. An unusual exception was the Chatham Saw Mill. Situated in an adjoining island it was established in 1836 and is reputedly one of the largest saw mills in Asia. Since we had never seen a saw mill earlier it was fascinating to the see the process of huge logs being lifted and placed on the conveyor belt which took it to various work stations and finally ended up being sliced and chopped to the desired size. Within fifteen minutes a giant tree which took a hundred years or more to grow up was reduced to the ignominy of an insignificant plank. Ecological murder or price of progress, you can take your pick.
We woke up early next morning and took the ferry for the two and a half hour sea ride to the Havelock Island. A ship ride on the high seas of Bay of Bengal, it was a first for all of us. The ferries are smallish ships where are about seventy to eighty people are seated in an air conditioned hall. One can hire separate cabins too but it’s quite beyond me to comprehend why one would like to be cooped up in a cramped cabin for a short trip rather than be out on the deck. And out on the deck we were, soaking in the spray, tasting the salty seawater and looking at the endless expanse of water. So were most of the passengers. The most visible activity was of course clicking photographs. Most of the younger couples were busy interlocking arms, peering deeply into each other’s eyes while having their moment of intimacy captured for a few decades if not eternity. Occasionally the ship would roll more than expected and their romantic posture quickly changed into a balancing act with flailing arms and squeals of alarm. While the women and children were quite vocal the men folk were clearly feigning indifference lest their macho image took a hit in their spouse’s perception. I tried testing Reliance’s connectivity challenge by calling up a few friends to share what I was feeling but clearly their case is overstated. I couldn’t get through to anyone. Smug in the knowledge that I can always write more than I can talk I switched off the phone for the rest of the day.
We were picked up at the shore by one of Sham’s contacts who was also driving an Omni. It was fast turning out to be the most preferred mode of travel in these islands. Through narrow and meandering roads, coconut groves and paddy fields we zoomed our way to the Radha Nagar beach. Just short of the beach there is a cluster of thatched shops selling food and drink. Our driver took us straight to a non descript shop and asked us place our order for breakfast. The owner turned out to be a Bangladeshi immigrant named Brish Khan married to cute little thing called Kavita ! We asked the obvious question and were informed that since illegal immigrants can’t quite advertise to marry their own they simply accost the local beauties. The arrangement seemed quite cool as the Khan duo seemed pretty happy together. The doe eyed beauty told us to run along and play in the water while breakfast was being prepared. Like obedient children we obeyed. Radha Nagar is touted as one of the ten most beautiful beaches in the world, a claim I have no means of verifying since I haven’t seen the other nine. However my vast knowledge of all the international beach resorts accumulated after diligent watching of the Discovery Channel tells me otherwise. But that does not take away the fact that it is indeed a very beautiful place. The clear blue water was pounding on the white sands and inviting the admirers to jump in. The children wasted no time. I sauntered along on the sand pretending to be an avid photographer. Chammak Challo was busy gorging on the mangoes which she had bought near the beach. Soon the hunger pangs took over and we rushed back to the Khans. They served us a mixture of vegetables, scrambled eggs and light paranthas. After we had burped our appreciation we asked them to prepare fish & prawns for lunch and promptly reverted to the beach. This time I too joined the kids in frolicking in the water. It’s strange how every time the water makes the child in us come alive. The simple act of splashing water on each other had us ducking and squealing with laughter. One can never have too much of joy, so it continued unabated for the next few hours. Suddenly the sky turned overcast and within minutes it started raining. For a minute we were caught unawares but then getting hit by water from two directions simply added on to the fun. By now since the sea had started roaring a little more and the waves were getting choppier we retreated to the mainland. After washing the sand off our hair and bodies we went back to the Khan kitchen which was vibrating with activity and we noticed that their labour was now being shared by their son and our driver. Unlike the fancier restaurants we hardly had to wait. The gourmet lunch commenced with huge pieces of fried Betki followed by the best prawn curry I have ever had along with the usual dal chawal. The food was great but the affection with which we were served was immensely touching. After a perfuse thank you speech and a hefty tip we drove back to the waiting ship for our return journey.
By now the wind speed had increased and fresh rain was imminent. No sooner had we boarded the ship that my tired body slipped into a dreamless sleep. After what seemed a moment I was jolted back to wakefulness. We were about fifteen minutes into our voyage back to Port Blair and the ship was pitching and rolling like there was no tomorrow. I looked around and saw that there were only a few which included my own who were still asleep and the rest wore a grey pallor looking sick and terrified. I tried to get up and almost lost my balance. Slowly and carefully I made my way out to the rear deck. The sight was at once thrilling. We were in the periphery of a Force 4 storm and the sea was angry as hell. Waves, twenty feet high, lashed the bow of the ship and broke into spray and foam. The ship travelling at about 18 knots an hour seemed like a knife tearing through the water. One moment its stern rose with the passing wave and then it plunged into the water, the bow almost submerging in the sea before it pulled itself out and climbed onto the next wave. I held onto a small pillar on the starboard with one hand and with the other tried to capture the fury of the sea on camera. The unstable foothold and my one handed acrobats made it a little difficult and I noticed that some of the crew who were coolly relaxing there was giving me amused looks. It just made me more determined not to let these moments of a lifetime go by without my full attention and participation. And then I thought of what Chhamak Challo was missing. After a lot of persuasion I managed to extricate her from the confines of her seat. Both of us slipped and stumbled our way to the rear deck again. One look at the sea and she silently handed me a thousand curses. I casually walked over to the starboard of the ship this time and flicked my fingers at her in an invitation to join me. Her knuckles were turning white and the metal banister she was holding on to seemed about to creak and then she gave me one of her dazzling smiles which translated into simple English meant “If I could kill you, I would do so. Happily and right now!” Having been a keen student of the language I quickly comprehended and turned my attention to the less dangerous sea. Soon the winds eased off, waves abated, the ship increased its speed and we sailed to the safety of Port Blair’s harbor where Chandru was waiting to drive us back to the Circuit House.
The weather of the Islands is generally hot and humid and the recommended time for visiting is Between December and February. We had been warned that we were going when the summers are at their worst. Luckily for us it remained overcast or raining for our entire stay there. While we had to miss out on the Wandoor beach and the sound and light show at the Cellular Jail due to the rain the rest of the trip was made pleasant by the overhead clouds. So it was in pouring rain that we set foot on the motor launch which was to take us to the North and The Ross island. The launch was shaky because the sea was so. Gingerly we crossed over from the jetty to the launch to be greeted by a bunch of rugged ruffians who gave all of us a disdainful look over but nevertheless chugged on to our destination. North Island is where the coral reefs are, the beauty of which can only be truly appreciated on a sunshine day. The option of viewing from a glass bottomed boat or diving into the sea vests with the viewer. Our options were limited as it was raining incessantly. The boats gave us a near nothing of the treasures below. Sure enough the ruffian masters of the launch asked if we would dare the snorkeling. And sure enough we accepted. Chammak Challo, kids and me took the motor boat along with another family from Bombay. The guides explored a few points in the sea to ensure that we got our money’s worth. My old eyes deciphered a few places where we could have stopped but it would have been unsporting to speak. Hence we stopped where we were supposed to. The kids were promptly given life jackets and they jumped along with their chaperones into the blue and muddy water. Irresponsibility comes naturally to me and so I asked my guide if I could jump into the water to swim. He asked ‘Can u swim?’. I said yes. He said Jump. I did! Ladies & Gentlemen let me declare here and now it was one of the most rewarding experiences. The sea is where every overweight fellow can rest in peace. Swim, float, drown, nobody cares. You can still come out of the sea looking like Daniel Craig or Halle Berry depending upon your sensibility or at least that’s how you can feel. The guides let me wallow in the water for about fifteen minutes after which I requested for the orthodox snorkeling. The breathing mask put in place I dived to gaze at the beautiful marine life. The most beautiful shapes that nature can put to display were on offer a few feet from my gaze. Star fishes slipped past me and the coral display was almost like the surreal paintings of Salvador Dali. It was intoxication without artificial stimulants. My guide was constantly pulling on my life jacket to take me to new wonders. It was beautiful and beautiful and beautiful. After forty minutes of gazing into the miracles of nature we were bundled back to the motor boat only to discover that Chammak Challo and the Lady of the other family had now been lured into the water they so feared. The boat fled away to the shore leaving the two ladies in the water. Chammak Challo’s chaperone was a gentle soul who had lost his entire family in the Tsunami. His steady persuasion quelled her terror of drowning. She blessed him for his kindness and prayed that he find his peace. People like him are living examples of bravery and an inspiration for the rest of us. Once back on the shore I started raining and all of us crouched under the makeshift shelters. Soon enough I was accosted by a stray dog who for some reason insisted on giving me his version of a loving hug and shaking my hand. In gratitude I fed him an entire packet of biscuits.
The next stop on our way back was Ross Island which is just about two hundred yards from Port Blair’s shore. The island served as the headquarters of the British rulers. We met the local guide, a feisty and an unusual lady called Anuradha Rao. Dressed in a shirt and loose trousers her language was a rapid fire mix of English and Adamaanized Hindi. We followed Madam Machinegun Rao who guided us through the ruins of the once stately buildings. A major part of the island has been taken over by the Navy which is off limits for the general public. Miss Rao amazed us with her close relationships with the animals on the island. She had specific names for deers who actually responded to her calls. As if that was not enough so did the birds! And what had the children squealing with joy was when she scooped a little squirrel from her shirt pocket. The little bundle was injured and recuperating with the lady’s warmth. Chammak Challo always overpays such people but this one time I thought it was well deserved.
My achievement of small ambitions and the destruction of Chammak Challo’s phobias deserved a celebration which took us to a quaint restaurant on the beach of Port Blair. Like all good seaside joints the live & the caught sea food is put on display and you can make your choice. This time I chose to get a red snapper grilled along with some boti kebabs and pulao and of course the tiger prawns.
It was our last day and due to inclement weather it was not possible to go anywhere. However our driver was kind enough to take us around the city and show us some entirely avoidable places. You know, parks and markets and stuff. Soon it was time for our flight back. Chandru, our driver, became all emotional and insisted on getting photographed with all of us. After some hugging and bidding good byes and promising to remain in touch we went back to the pretty smiles of Kingfisher which took us back home.

Sunday 30 August 2009

Quick Gun Murugun

Powered by: Chakpak.com Quick Gun Murugun 

This has to be a first. From a character in the two minutes promos of MTV during the nascent days of satellite television in India to a larger than life hero in a ninety minute feature film Quick Gun Murugun shoots his way across the silver screen with aplomb and inimitable style. It’s a Mexican beans meets paysam Western. Instead of a whiskey swilling and a drawling Clint Eastwood please meet the dosa munching vegetarian cowboy Quick Gun Murugan. He sets out to put a stop to the evil designs of the non vegetarian expansionist dreams of the villain, Rice Plate Reddy (Oh, how I love this name).
The movie is set in the classic genre of the Westerns made immortal by the greats like Sergio Leone, John Sturges and Sam Peckinpah. Like all great Westerns this one too has a wide canvas, a predictable story narrated with consummate slickness and a supernatural touch but which has Indian written all over it. Way to go Mr Shashank Ghosh. His directorial skill is only matched with the outrageous, cheeky and gross scenarios manufactured with a whacky sense of humour. Music fans like me who have been following Channel [V] and MTV through the years will comprehend what I am talking about. The classy one liners used in the promos of both these channels are the inspiration for the zany dialogues of this film. I was specially amazed by the fact that considering Ghosh was using pot bellied Southern actors in a classic south Indian backdrop to narrate a revenge story has managed to pull off the presentation in orthodox Western mode albeit with a little too much violence for a comic Western. As a matter of fact movies of this genre should now be called a Southern.
The story takes off in a remote southern village in 1982 with the killing of the hero by Rice Plate Reddy played by Nasser. It’s a powerful portrayal of a ruthless killer who blows away every opposition to his business plans. It was touching to see the hero as a brave but vulnerable guy who gets outnumbered and killed. But wait a minute, this is not a cut and dried Sergio Leone saga where the dead stay dead. On reaching heaven (Ministry of Death, oh man) Quick Gun makes an application to the CEO, one Mr. C Gupta (yeah you guessed it) for repatriation to earth on the grounds of his unfinished business of protecting cows and promoting vegetarianism. Lord Chitragupta makes a statement on the changing gastronomic preferences in the modern world by observing that “Vegetarianism is the need of the hour” and bingo, Murugun is beamed back to earth, a la The Terminator, sans clothes but with a full chaddi. But hey, this is Mumbai 25 years later. And with a good reason too. Rice Plate Reddy has climbed up the corporate criminal ladder and instead of an angvastram he now sports designer super white suits along with an arm candy appropriately called Mango Dolly played by the luscious Rambha. In keeping with the metro standards he plans to launch the biggest non vegetarian dosa outlet chain called, what else but McDosa. He has one small problem though. His chief chef can’t find the right combination of ingredients which adds that extra zing to the proposed dosa. In comes Rowdy MBA (Who thought of all these names? I want to shake his hand.), the consultant played by Raju Sundaram whom you would remember in that fantastic dance number “Rukmani” from Roja. Of course no institute promotes the management techniques employed by him to get the perfect dosa.
The action sequences are as mindless as they are enjoyable. In fact anywhere else they would look ridiculous but since one expects them from Quick Gun they are hilarious. Fantastic music more appropriate to the classical Mexican stand offs and slick camera work makes the action gripping. Never mind the impossibility of what you see. It needs to be done. It’s Quick Gun Murugun. Mind it? I certainly didn’t!

Saturday 22 August 2009

Movie Review - Kaminey

Powered by: Chakpak.com Kaminey 

Thanks to the boycott of the cinema industry by the multiplexes I was badly deprived of my regular fix of movies. However since their reconciliation I barely got time to see any. The long hiatus was broken by Vishal Bhardwaj’s latest offering. Both his earlier movies were based on Shakespeare’s plays. While Maqbool was good, Onkara was a brilliant take on Othello. How does one live up to that kind legacy? Well he changed the rules of the game and smacks it in your face.
So you have a hero, rather two of them with speech disorders. One lisps and the other stutters. Shahid Kapoor with his cute smile and chiseled body has delivered on both counts. The story is about these two twins who are leading completely different lives. The stuttering bro, Guddu, is a simple guy working for an NGO spreading the message of safe sex and trying to make an honest living. Priyanka is his love interest who declares she is pregnant in her very first scene. They decide to get married immediately but there is one little problem. The lady’s brother is a psyco gangster and a wannabe politician and he doesn’t quite like the idea of some dude knocking up his sister.
The other twin, Charlie, is a small time hoodlum who fixes horse races and dreams of becoming a legitimate bookie one day. One day he puts all his cookies in one jar and loses his life’s earning when the manipulated jockey double crosses him. In his quest for revenge he gets involved in a fight with the rival gangsters and while escaping he unknowingly steals the vehicle of Anti Narcotic cops who are also moonlighting as drug dealers. There is a stash hidden in the jeep which becomes a mean of redeeming his recent losses.
The lives of the twins who have not been involved in each other’s lives for years, presumably because of ideological differences undergo an unexpected change when Charlie is picked up by the psyco gangster and Guddu is arrested by the Narco cops. The Bollywood switch, yes, but the events then unfold leading to an awesome surreal climax. The entire narrative of the movie is so taut that if you blink you might miss the sequence of events. This is no Shakespearean drama but VB has managed to make a masala action flick look like a classic. But for the fact that at times it was difficult to understand the Bengali and Marathi dialogues I could barely detect a weakness in the movie. However I would dedicate my Oscar to the editor for making a relentless entertainer.
Priyanka Chopra looks like a million bucks without her makeup and within her Sarojani Nagar rehri market oh so ordinary attire. Why can’t all women look like the Miss Simplicity herself? Dream on Bawa boy, it’s not taxable. Shahid’s carved body adds menace to the high voltage action. The finale of the movie and the composition of the action sequences is easily one of the best that Bollywood has offered so far. Dhan te naan and go watch.

Tuesday 17 March 2009

Movie Review - Gulaal

Powered by: Chakpak.com Gulaal 

And I thought that Anurag Kashyap had really excelled himself in Dev D, especially since messing with a proven classic can be a tricky proposition. He succeeded and eminently so! Barely had I recovered from that awesome movie that AK has unleashed another explosion of emotions with a relentless assault on our sensibilities. Set amidst the feudal ethos of Rajasthan the story is about the pursuit of ambition, accumulation of power, innocent & betrayed love. In true Shakespearean milieu there are plots and sub plots and yet some more hidden beneath them but each interconnected to finally merge in the inevitable climax so much like a Greek tragedy.
Barring Kay Kay Menon nearly everybody is a fresh face. The main lead Raja Singh Chaudhary is also the author of the story revolving around student politics which was rewritten by Anurag Kashyap and Aparna Chaturvedi after incorporating rebellious regional aspirations sequential to the perceived injustices by the state. So very contemporary and yet so well portrayed! Kay Kay is the parochial manipulator who uses the students’ politics to build a cadre for pursuing his secessionist agenda. Abhinayu Pratap Singh is the reclusive & reckless prince trying to hide from the riches of his father. Aditya Srivastava & Ayesha Mohan are the prince’s half blood Machiavellian siblings whose yearning for legitimacy drives them to deception and murder. Deepak Dobriyal is Kay Kay’s main hit man and Man Friday. Mahie Gill as Kay Kay’s mistress impresses once again with her vivaciousness & natural acting ability. Jesse Randhawa’s walk from the ramp to the screen shows a lot of promise.
I have to dedicate a separate paragraph to Piyush Mishra. The man has till now played bit roles in sundry movies and penned the script for Black Friday but in this pic he writes, he composes the music, sings and acts too. This will easily be one of the performances of the year if not the decade. First the music! Don’t gloss over the songs. Hear them; hear the lyrics and you will be bowled over. While “Arambh hai prachand” sounds the battle cry, his rendition of “Duniya” which is a take on Pyaasa’s classic “Yeh Duniya Agar Mil Bhi Jaye To Kya hai” manages to retain its integrity and freshness. The mujra song “Rana ji” has to be one of the most original I have heard in a long time. Using traditional language and style, the lyrics go global without a warning. So with the sexy thumka of Mahie Gill you are suddenly presented with an in your face commentary on 9/11 (Jaise door desh ke tower main ghus jaye re aeroplane), Iraq, Afghanistan, democracy and the cola wars. Whacky imagination at its best! Another beautiful composition is “Sheher” sung along with the talented Swanand Kirkire (Remember Khoya Khoya Chand). Mishra plays the role of the schizophrenic musician elder brother of Kay Kay. He idolizes John Lennon, composes on the spot poetry and has an opinion on everything. The pathos on his face after he loses his dancing consort is heart breaking.
I feel Anurag Kashyap is not an ordinary movie maker. His movies are like a painting canvas where he tries to marry various art forms. If the music resounds of folk songs and fine poetry the shots of the practicing Ram Leela characters impart a theatre like color. If one song reminds you of the wandering minstrels the other carries the guitar strums of western country music. He is also a diehard romantic. Look for John Lennon’s sketch peeking out from the mad poet’s medallion and posters of Che Guvera and Jimmy Hendrix set in a neon lit bar masquerading as a residence in the middle of the desert. For me this is better than any art/parallel cinema.

Monday 23 February 2009

Movie Review - Delhi 6

Powered by: Chakpak.com Delhi 6 

This is where the young Turks take it away from the pretenders. Bole to.. Subash Ghai, Yash Chopra and the likes of them. Let the young ones soar now. And, Ladies & Gentlemen, I am so glad to report that my fantasies are finally coming true. The new order IS taking over. Original ideas are being shaped with skill and imagination. After more than half a lifetime of being fed escapist rubbish by the so called dream merchants and showmen I am finally enjoying good cinema unleashed by a string of young movie makers. Delhi 6 is a worthy successor to Rang De Basanti and Rakeysh Om Parkash Mehra emphatically proves that he is not a one trick pony.
Abhishek Bachchan is the American born desi who volunteers to accompany his grandmother, Waheeda Rehman (I love her so) back to her roots all the way from New York to the by lanes of Chandni Chowk which is Delhi 6 for the uninformed and those lost in the cyber world who have forgotten the postal addresses used in the romantic days of letter writing. This in itself was enough to make me go all nostalgic about the days when I would wait and wait for my Chammak Challo’s letters. On his first trip to India the grandson discovers the world of myriad hues that constitutes the Indian society. There are so many characters in the movie and each one of them so distinctive. Yet the amalgamation of their role in the story is so effortless which is a tribute not only to their acting skills but also to the screenplay and of course the directorial genius. Abhishek’s intended journey as a chaperone quickly changes into a discovery of that mystic fabric which binds people of different religions and social standards, a realization of the weaknesses and prejudices which breaks the façade of harmony only to rewind into normalcy again. It’s this mad medley of love, hate, rigidity and tolerance which makes Indians what they are and Mehra has eminently succeeded in condensing that macro picture into one neighborhood of Chandni Chowk. There are way too many good characterizations to find individual appreciation here but I have to single out Deepak Dobriyal for his brilliant portrayal of the Muslim Jalebiwallah who becomes the target of the ire of religious bigots and of course Vijay Raaz as the classical Delhi cop. His Haryanvi accented dialogue delivery is a delight to watch. Cyrus Sahukar as the photographer who is cuckolding Prem Chopra, the rich money lender, plays a charming cameo. Abhishek, as the bewildered westerner, has suitably underplayed his character. Sonam Kapoor is naturally vivacious and can only get better. Rishi Kapoor is looking more and more like his great father. Atul Kulkarni has put on some weight but still comes good as the slow witted butt of all jokes.
There are numerous scenes which have been beautifully composed but the surprising one was the Ram Leela. It took me back forty years when as a young lad I had seen the old Delhi Ram Leela for the first and only time. The images are still fresh in my mind and lo behold I was reliving the experience all over again. Raghbir Yadav has lent his voice to the musical rendition of the timeless epic. All the classical touches of theatre artistry are there to see especially the scene of the flying Vanars and of Ravan encountering the Lakshman Rekha. Mehra also cocks a snook at self serving politicians with their mandir-masjid politics and the plethora of news channels which find merit in repeating ad nauseam the most ridiculous of news. The photography reveals the love for the old city. Panoramic shots of the Jama Masjid, Red Fort and the skyline of old Delhi is simply breathtaking.
A R Rehman’s compositions are great. The beautifully sung “Masakali” by Mohit Chauhan brings alive the spontaneity of Sonam’s character. Kailash Kher & Javed Ali have put their heart into the soul stirring “Arzian”. A spiritual song is in every movie is almost becoming a norm with Rehman which is not a bad thing at all. But my favourite is the title song by Blaaze,Benny Dayal,Vivinenne, Tanvi & Claire. After all “Yeh Dilli hai mere yaar”. Go, watch & feel alive.

Monday 9 February 2009

Movie Review - Dev D

Powered by: Chakpak.com Dev D 


Everything about this movie whether its the conceptualization by Abhay Deol, the music by Amit Trivedi and the loving strokes of superb direction by Anurag Kashyap is off beat. After a no go “No Smoking” he has struck back and how. Man, its mind blowing. Sarat Chandra’s classic has been given a contemporary look and interpretation which I thought was pretty near to my idea of the kind of guy Dev Das was namely a weak, self centered, addictive loser. And Abhay Deol has done enormous justice to the lead role. While the principal characters of the original classic remain the same, their backgrounds and events affecting their lives have been cleverly changed. The Bengali feudal has been replaced by a Punjabi industrialist. The rural backdrop remains the same. Paro assumes the avatar of the classic Punjabi belle freely mouthing abuses and completely obsessed with her childhood sweetheart. For a first timer Mahie Gill, a Chandigarh lass, has done a classy portrayal of Paro. Her total submission to her lover receives a rude jolt when the object of her affection spurns her on suspicions of promiscuous conduct. Of course it’s another matter that he has no problems sowing his wild oats at the first available opportunity. She tries to prevent the shattering of a lifelong dream but consents to marry a widower following the obdurate attitude of Dev. He on the other hand becomes a prisoner of his suspicions and his desire for Paro whose marriage triggers his descent into the abyss of alcoholic stupor and drug induced hallucinations.
Anurag Kashyap then uses the DPS MMS episode to introduce the character of Leni who is disgraced by public opprobrium, abandoned by her family and finally becomes a high priced escort Chanda, played by Kalki Koechlin who is really the surprise package of the movie. A beautiful girl of French stock with a pronounced pout a la Brigitte Bardot she took my heart away, crooked teeth and all. A drunken Dev who after abandoning the mustard fields of Punjab is exploring the depths of despair in the dark underbelly of Delhi literally falls into her arms. Initially Dev’s single minded indulgence in drinking marathons in between fantasizing of a reunion with Paro comes in his way of crystallizing any kind of relationship with Chanda. But after Paro tells him off he comes to realize that there is more to Chanda than just fancy costumes designed to titillate her customers. But then he mows down seven people under his car driving under the influence of Vodka and his demons. It also jolts him back to reality.
While the performances of all the actors are amazing a special mention needs to be made of the music. This is Amit Trivedi’s second film after Aamir but this new kid on the block has composed some exemplary music and has a great deal of promise. Each song has a different kind of sound. It’s a delightful pot pourri of Sufi music, Punjabi folk and western drum rolls. While the soulful rendition of “Pardesi” by Toshi takes your breath away the retro classic dance by the trio of Sinbad Phgura, Ammo 'Too Sweet' and Jimi 'The Quiff’ could be one’s sole reason to watch the movie again. “Emosanal Atyachaar” with the music by Chandigarh’s very own Harish Band is another riot. It’s the watered down censored version which has been used in the movie. The original which is available on the Net is guaranteed to make your ears go red and I must warn that only those who can stomach the classic Hindi profanities may venture forth in listening to it.
The movie is a modern interpretation of a timeless classic story and it has been crafted with good performances, slick editing and set to great music. The language may not appeal to everyone’s sensibilities but apart from that it’s nearly flawless. It’s outstanding stuff and eminently watchable but of course without your kids or parents along. The ‘A’ rating is more than justified.

Saturday 24 January 2009

Movie Review-Slumdog Millionaire

Powered by: Chakpak.com Slumdog Millionaire 

One has to be a die hard cynic or with a severe case of reverse snobbery not to fall in love with a work of genius such as this. I have two words for you. Simply awesome. What I loved about the movie was that the idea of the story was penned by an Indian, Vikas Swarup, co directed by an Indian, Loveleen Tandon and infused with heart moving music by an Indian, A R Rehman. Ah, but he belongs to the world now. Great script, fantastic editing, slick direction. Danny Boy(le), Golden Globes was just the first halt and you shall be taking bows at the BAFTAs and Oscars as well. It’s amazing how a foreigner has connected so emphatically with the local ethos and the dark underbelly of Mumbai. Even the local idiom has been paid homage to. I feel that to truly appreciate the movie it should be seen in both the Hindi and English versions.
A simple story has been woven into an audio visual delight. Jamal, a street kid(slumdog if you will) appears on a game show a la “Kaun Banega Carorepati” and from a shaky starts finds himself on the verge of winning the grand prize. He is about to be asked the final question when the show time ends and is rolled over to the next episode of the show. How is it that an ordinary guy from the slums of Amchi Mumbai knows all the right answers, well almost? The celebrity host played by Anil Kapoor gets suspicious and gets Jamal arrested for investigation of possible fraud. He is interrogated by the Inspector/Constable team of Irrfan Khan and Saurabh Shukla who use all the lovely techniques of torture and casual brutality known to the Indian police. Jamal’s answers to the prods of police form the narrative of the movie. Answer by answer he takes us through the tumultuous journey of his life right from his childhood to his present youth. In life and not in the text books is where the education of most of the under privileged like Jamal lies.
The characterization of the little Jamal & his brother by Ayush Mahesh Khedekar & Azharuddin Mohammad Ismail are an inspired choice. The two little hoodlums steal your heart with their bunny dunny acts. Their flight, with the police hot on their heels & chasing them through the maze of the slums ought to be a classic of sorts. The raw energy of the running children and rapidly changing camera shots mixed with the reverberating beats of “O Saya” set your adrenalin racing. The whining guardians of the Indian culture might cringe at candid shots of shit holes but reality wins here. The same would have been deified as art cinema had the Director’s surname been a Benegal or a Ray or a Kaul. Bully for you Danny Boyle. The innocence of the boys is almost crushed by political scum but they rise again to happiness and a degree of affluence using the time honored Old Man Fagin’s tricks in stealing and picking pockets. The love interest of Jamal is played by Frieda Pinto, easily one of the prettiest faces to hit the screen in the recent past.
The director’s earlier experience of making “Trainspotting” comes in hugely handy in directing the train sequences. Throughout the movie the visuals are simply stunning. From the streets and slums of Mumbai to the ghats of Kanpur , from the Taj on the banks of Jamuna to hills of west India Boyle doesn’t miss a trick in celebrating the mad romance and beauty of India. And all this is set to the beautiful and haunting melodies of Rehman. U.K’s hip hop artist M.I.A’s collaboration in the two numbers, “Paper Planes” and “O saya” are exemplary. The ultimate celebration of joy “Jai Ho” sung by the irrepressible Sukhwinder Singh was surprisingly accompanied by a deft jig by the cast & the crew (I presume). Superb stuff. Am I panting? But then movies like this come along once in a while. Phone a friend, go and enjoy the experience. It’s exquisite. Jai Ho!!