Friday 2 May 2008

IPL Masala

i think Bhajji has been taught the right lesson by being hit where it matters the most, monkey business was good but one can't go around hitting fellow players on the field. Bhajji should learn few lessons from our MP Sidhuji... he will teach him the trick to box without any loss...

IPL rocks.... but think cricket won't be the same here on... but then only thing permanent is Change so who cares..!!

Thursday 1 May 2008

Movie Review: Tashan

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Tashan

For all those who haven’t seen this movie due to lack of interest/bad reviews/ time kahan milta hai/ main office main bahut busy hoon, its time to reschedule your thinking of orthodox perspectives, leave your brain behind your PC and enjoy this movie. Ask me why? We have seen the likes of this many times over BUT none has been executed this professionally. This, ladies and gentlemen, is the epitome of the great Hindi masala movie. Ask me how?

The story has the classical theme from the genre of James Hadley Chase novels where interesting episodes are woven together to form a story, which is there but you can always predict what’s going to happen next. In there lies the excellence of the movie making craft in making the predictable interesting. The flashbacks have been artfully deployed for proper narration as also the stage whispers which have been effectively used to shove the story forward. The editing is slick and the action fast paced. I wonder if the audience has properly appreciated the action. Before eulogizing let me explain. The action in this movie is sublime and gross. It’s the gross you carry in your memory. But Bollywood has finally paid homage to the kung fu genre of movie/craft after a long time. The exaggerated and the gross violence have an eminent precedent. His Eminence Run Run Shaw of the Golden Harvest Productions fame made this genre a craze way back into the 70s. He was the guy who introduced Bruce Lee. Every Chinese movie of his with crazy names like “Snake in the monkey’s shadow” or “The drunken Shaolin Monk” had the hero fighting a couple of dozen guys and blasting all of them with a single roundhouse kick.

Most of the songs could have been done without but I love the improved quality of extras dancing in the background. Of course Sukhwinder’s rendering of “Very happy in my heart, dil dance mare re” is out of this world. The locales of the Mediterranean and Ladakh are breathtaking

Kareena has chiseled her body to perfection and is one of the few Bollywood heroines who look stunning in a bikini. Now whether it’s a before or after a Saif development I would leave to the gossip mongers but Man she looks like an angel with a deceptively innocent smile. Her vivacity comes across like a whiff of fresh air. Saif is his usual competent self. I am partial to Akshay Kumar , so whatever I may say about him will seem biased. But his characterization of the UP local hoodlum ought to win him a few awards.

Anil Kapoor deserves a separate paragraph. Bhaiya ji, has rendered am exemplary performance as a killer don desperately wanting fluency in English. Saif is the Guru ji employed to teach and for all his efforts what comes across is an amazing mix of English and Hindi from the streets of Kanpur. A scene or two could have been managed by everyone but carrying it through the entire movie is a feat for which Kapoor as well the script writer deserve kudos. The sequence where he recreates in Hinglish the unforgettable monologue of Amitabh Bachhan from Deewar. “Aaj khush to bahut hoge tum” turns into “Lots happy you must be”. But let me not play the spoiler. This you need to experience yourself. Celebrate the gross and the ordinary and enjoy